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Orchestra to return home after triumphant twelve-city European Tour
Cincinnati Symphony Orchestra
Paavo Järvi, conductor
Pinchas Zukerman, violin
Thursday, April 24, 7:30 p.m.
Friday, April 25, 11 a.m.
Saturday, April 26, 8 p.m.
Music Hall
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Program:
VELJO TORMIS: Overture No. 2
BRUCH: Violin Concerto No. 1 in G Minor, Op. 26
MOZART: Symphony No. 39 in E-flat Major, K. 543
Sponsor:
Key Private Bank for April 25 and 26
Complimentary buffet dinner available for ticket holders before the Thursday, April 24 performance only in the Music Hall Ballroom between 6:15 and 7:15 p.m. |
CINCINNATI— Fresh Fresh off an extensive, twelve-concert, five-country European tour, the Cincinnati Symphony Orchestra welcomes world-renowned violinist Pinchas Zukerman for three thrilling concerts. According to a critic from The Herald (Glasgow), "You could have blindfolded an experienced listener, put him in a different room where he could scarcely hear the sounds, and he'd still recognize that liquid, Zukerman tone. There is no other like it....His sound is utterly inimitable - as it has been for more than 30 years - from its intense sweetness on high to its throaty richness at the depths of the instrument....And the molten gold that streams from the instrument is completely breathtaking. Fabulous playing." Mr. Zuckerman will perform the Bruch Violin Concerto No. 1, joining Paavo Järvi and the CSO at Music Hall on Thursday, April 24 at 7:30 p.m., Friday, April 25 at 11 a.m., and Saturday, April 26 at 8 p.m. This much-anticipated concert program also includes Mozart’s Symphony No. 39 in E-flat Major and opens with Overture No. 2 by celebrated composer Veljo Tormis.
"Tormis is one of the more important Estonian composers,” said CSO Music Director Paavo Järvi. “With the Overture No. 2, you hear something unique and very individual….”
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Next on the program is Max Bruck’s extremely virtuosic Violin Concert No. 1, marking the first-ever collaboration between Mr. Järvi and Mr. Zukerman.
“Pinchas Zukerman is a living legend,” said Mr. Järvi. “This is something I’m very much looking forward to.”
The concert program closes with Wolfgang Amadeus Mozart’s sublime Symphony No. 39, a timeless work first performed by the CSO during the Orchestra’s inaugural season in 1895.
“The last six symphonies of Mozart represent some of the greatest music ever written,” said Mr. Järvi. “This symphony is so human – so vocal… More than any other music, it requires extreme personal involvement from every member of the orchestra.”
The CSO thanks Key Private Bank for its generous sponsorship of the concerts on April 25 and 26.
Audiences are invited to learn more about the music at Classical Conversations with CSO Violinist Mark Cleghorn and hosted by Assistant Conductor Eric Dudley, one hour before the performances on April 25 and 26.
Pinchas Zukerman, violin
Pinchas Zukerman has been recognized as a phenomenon for nearly four decades. His musical genius and prodigious technique have long been a marvel to critics and audiences, and his exceptional artistic standards continue to earn him the highest acclaim. His devotion to younger generations of musicians who are inspired by his magnetism has been applauded worldwide. Equally respected as a violinist, violist, conductor, pedagogue and chamber musician, Pinchas Zukerman is indeed a master of our time.
Appointed Music Director of Canada's National Arts Centre Orchestra in 1998, Pinchas Zukerman is the fifth conductor to lead the 46-member, classical-sized ensemble, which was founded in 1969 as the resident orchestra of the newly opened National Arts Centre. Mr. Zukerman is deeply committed to enriching the Orchestra's cultural involvement within the region, and since his appointment has taken an interest in virtually every aspect of Ottawa’s artistic community. He has made five recordings with the Orchestra, introduced a new Acoustic Control System to the NAC's Southam Hall, been involved in a number of national radio and television broadcasts and initiated the NAC Young Artists Programme as part of the summer’s Great Composers Festival. The Conductors’ Programme, launched in 2001, provides a valuable opportunity for conductors to develop under the expert guidance of accomplished orchestra leaders. The Zukerman Musical Instrument Fund works to acquire donated and new instruments for orchestral musicians. Since the arrival of Pinchas Zukerman, the National Arts Centre Orchestra has regained its commitment to regular touring both nationally and internationally. He led enormously successful Canadian tours in 1999, 2002, 2004 and 2005, as well as critically acclaimed tours to the Middle East and Europe in 2000 and the United States and Mexico in 2003, all highlighted by hundreds of unprecedented outreach activities with an innovative internet component.
In addition to his position with the National Arts Centre Orchestra, Mr. Zukerman chairs the Pinchas Zukerman Performance Program at the Manhattan School of Music. To maintain close relationships with his students while fulfilling the travel demands of his concert engagements, Mr. Zukerman has pioneered the use of distance-learning technology in the arts. Through the use of the school’s videoconferencing system, his students are able to receive regular string instruction.
Pinchas Zukerman performs regularly with the world’s finest orchestras and has held numerous artistic positions. From 1980 to 1987, he was Music Director of the Saint Paul Chamber Orchestra, and became instrumental in bringing that ensemble to international prominence. He also served as Music Director of the Baltimore Symphony Orchestra's Summer MusicFest for three years, London’s South Bank Festival for three years and the Dallas Symphony's International Summer Music Festival for three years. Mr. Zukerman was Principal Guest Conductor of the Dallas Symphony Orchestra for two years.
A frequent chamber music performer, Pinchas Zukerman has appeared regularly with such luminaries of the music world as Daniel Barenboim, Vladmir Ashkenazy, Itzhak Perlman, the Orion and Tokyo String Quartets, the Kalichstein-Laredo-Robinson Trio, Ralph Kirshbaum, Yefim Bronfman, Lynn Harrell, Marc Neikrug and the late Jacqueline du Pré. Each summer, he performs at the Santa Fe Chamber Music Festival, where he also participates in educational outreach activities within the community. Mr. Zukerman appears in April 2007 with the Kalichstein-Laredo-Robinson Trio at Carnegie Hall and Princeton’s McCarter Theatre, in celebration of that ensemble’s 30th anniversary season. He recently formed the Zukerman ChamberPlayers, an ensemble which has performed for the past four seasons at such prestigious overseas venues as the BBC Proms, Concertgebouw, Tivoli, Schleswig-Holstein, Verbier, Harrogate and Tuscan Sun Music Festivals. In North America, the group has garnered critical acclaim for concerts at the Ravinia, Tanglewood and Aspen Music Festivals and at Parry Sound and Domaine Forget in Canada. This season the group brings its artistry for the first time to New York in a three-concert series with guest artists at the 92nd Street Y, in addition to its Kennedy Center debut and concerts in Philadelphia, Seattle and Calgary. The Zukerman ChamberPlayers’ debut recording for CBC Records, Mozart-Zukerman, was nominated for a 2004 Juno Award in the “Classical Album of the Year: Solo or Chamber Ensemble” category.
Pinchas Zukerman’s extensive discography contains over 100 titles, and has earned him 21 Grammy nominations and two awards: “Best Chamber Music Performance” in 1980 and “Best Classical Performance, Instrumental Soloist With Orchestra” in 1981. Mr. Zukerman’s first recording as Music Director of the National Arts Centre Orchestra was a 1999 CBC Records release of Vivaldi’s The Four Seasons in which he is featured as conductor and violinist. An earlier recording of three Haydn works on BMG Classics, which he made as guest conductor of the Orchestra in 1993, was re-released in 1998 in honor of his appointment. In 2000, CBC Records released Mr. Zukerman’s first-ever recording of Beethoven Symphonies - Nos. 1 and 2 - along with the Romance No. 2 in F Major, followed by discs of Schubert works in 2002 and Mozart in 2003. Prior releases on BMG Classics/RCA Victor Red Seal include the complete violin/piano and viola/piano repertoire of Brahms, Beethoven, Mozart and Schumann with pianist Marc Neikrug. Earlier recordings are also available on the Angel, CBS, Decca, Deutsche Grammophon, London and Philips labels.
Pinchas Zukerman has been featured in numerous television specials and national talk shows. He appeared with the Chicago Symphony on the PBS special Mozart by the Masters and has been a performer and presenter at the Grammy Awards ceremony. He has been a frequent performer on Live from Lincoln Center and has collaborated with the English filmmaker Christopher Nupen on several projects including the Here to Make Music series, a Brahms series, a Schubert series and a documentary on Nathan Milstein. He appeared on PBS's Charlie Rose Show and on CBC Television's nationwide broadcast celebrating the opening concerts of the National Arts Centre's 30th-anniversary season. Crossing Bridges, a documentary by Niv Fichman, followed his tour to the Middle East with the Orchestra, and was awarded the prestigious Gold World Medal at the 2001 New York Festivals.
Born in Tel Aviv in 1948, Pinchas Zukerman studied music with his father. He soon began lessons with Ilona Feher and came to America in 1962 with the support of Isaac Stern, Pablo Casals and the America-Israel and Helena Rubenstein Foundations. He began his studies at The Juilliard School with Ivan Galamian and, in 1967, was named first-prize winner of the 25th Leventritt Competition. He holds an honorary doctorate from Brown University and an Achievement Award from the International Center in New York. He was presented with the King Solomon Award by the America-Israel Cultural Foundation and, in 1983, President Reagan awarded him the Medal of Arts for his leadership in the musical world. In 2002 he became the first recipient of the Isaac Stern Award for Artistic Excellence at the National Arts Awards Gala in New York City, and in May 2006 was appointed as the Rolex Mentor and Protégé Arts Initiative's first instrumentalist mentor in the music discipline.
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| Contact: Christopher Pinelo,
513.744.3338 |
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