Sir Donald Runnicles, celebrated for his interpretations of Romantic symphonic repertoire, leads an all-Brahms program, joining forces with powerhouse pianist Daniil Trifonov, following his stunning solo Music Hall performance in 2022. Together, they explore Brahms’ more brooding and emotional side in his Piano Concerto No. 1. Runnicles then conducts the CSO in Brahms’ Symphony No. 2, from its iconic “lullaby” to its cheerfully triumphant and brass-filled finale.

The Resurrection Mixtape fuses the music of Notorious B.I.G. and Tupac Shakur with Mahler’s electrifying “Resurrection” Symphony — a mixtape highlighting the relationship between hip-hop and classical music, as well as the life, struggle, death and legacy of two iconic artists. Biggie and Tupac’s words will ring out in “Hypnotize,” “Ambitionz az a Ridah,” “California Love,” “Juicy,” “Keep Ya Head Up,” “Sky’s The Limit” and more, as live emcees perform alongside a full symphony orchestra.

Leave your expectations about a traditional orchestra concert experience at the door — specialty drinks and pre-concert entertainment round out a casual and relaxed, general admission concert experience. All tickets are $35 and you’re encouraged to get up, dance, sing along and engage with fellow concertgoers and the artists on stage.

Warning: explicit content is included in this performance. Parental discretion is advised.

This performance is general admission seating by floor.

Seductive hip thrusts, finger snaps, “wah-wah” trumpets and — murder! Or, rather, an alleged murder. Chicago’s 
electrifying tale of greed, corruption, exploitation, adultery and yes, murder, is the longest running American musical in Broadway history and has now been reimagined for the concert hall! Roxie, Velma, Amos, Billy, and the Merry Murderesses of the Cook County Jail will bring you everything you know and love about the “Cell Block Tango,” “Mr. Cellophane,” “Nowadays,” and the rest of the dynamic score, including “All That Jazz.” Whether it's your first experience or you’re a long-time fan, Chicago with the Cincinnati Pops will have a special razzle dazzle for you quite unlike any other.

This performance contains adult themes. Parental discretion is advised.

Conductor Kevin John Edusei leads a program that invites you to explore the concept of harmony and its many forms, beginning with Elysium by Samy Moussa, a composer who has a “gleeful sense for…shocking harmony” (Los Angeles Times). John Adams describes his rhythmically and harmonically complex Harmonielehre as a parody “without the intent to ridicule,” with “shades of Mahler, Sibelius and Debussy.” Both pieces frame George Li's performance of the Second Piano Concerto from Rachmaninoff, arguably the hero of the lush, romantic style.

Dame Jane Glover is widely regarded as a preeminent conductor of Mozart’s music. She leads an “all-Amadeus” program, showcasing CSO Concertmaster Stefani Matsuo and Principal Viola Christian Colberg in Mozart's Sinfonia Concertante in E-flat Major, K. 364. Their performance is folded between works illustrating Mozart’s evolution of the symphony from the lighter style of early composers such as Haydn to the more emotionally-infused music of Beethoven.

Grammy-winning conductor Cristian Măcelaru joins the CSO for music of two Slavic luminaries. Cellist Kian Soltani brings his expressive and charismatic presence to Lutosławski’s Cello Concerto, frequently interpreted as an escalating struggle between the seemingly heroic soloist and the orchestra representing totalitarian authority. The acclaim and popularity of his Symphony No. 11 helped Shostakovich, who had weathered criticism and persecution from the Soviet regime, win back State approval. It offers a depiction of the 1905 Russian Revolution, from the first shots of Bloody Sunday to funeral marches lamenting those who were lost.

With prayerful music for both the living and the dead, the source of comfort in Brahms’ German Requiem is as much human as it is the divine. Louis Langrée leads the CSO along with the May Festival Chorus in Brahms’ large-scale masterpiece. Though Brahms was often discreet in nature, this is a deeply personal work. Spurred by the loss of his mother, and influenced by lingering emotions of self-doubt, he turned to his true religion – music – as a way to console not only himself, but others as well.

As the winter winds quell and the flowers of spring begin to blossom, CSO Creative Partner Matthias Pintscher conducts the Orchestra in works capturing the feeling of life beginning anew. Copland’s Appalachian Spring shines with the “Simple Gifts” of the season. After wowing CSO audiences in 2021 and 2022, pianist Conrad Tao returns for the world premiere of a CSO commissioned work from composer inti figgis-vizueta, whose music “feels sprouted between structures” (The Washington Post). Then, Schumann's Symphony No. 1 triumphantly ushers in the Spring season.

Love the classic sounds of Frankie Valli, The Drifters, The Del Vikings? Join conductor John Morris Russell and the Pops for The Doo Wop Project. From foundational tunes of groups like the Crests and Flamingos through their influences on the sounds of Smokey Robinson, The Temptations, and The Four Seasons all the way to Doo Wop-ified versions of modern musicians like Michael Jackson and Jason Mraz. Featuring stars of Broadway’s smash hits Jersey Boys and Motown: The Musical, the Doo Wop Project brings unparalleled authenticity of sound and vocal excellence to recreate some of the greatest music in American pop and rock history!

Stories of glory, chivalry and adventure abound as conductor Sir Mark Elder joins the CSO. Wagner’s Tannhäuser is a musical story of lust, love, and deliverance, as the opera’s title character makes a pilgrimage from the magical realm of Venus to his final redemption in Rome. Strauss’ Ein Heldenleben is an epic portrayal of the hero that exists in all of us, along with the accompanying joys and struggles, depicted through battling brass and tender string melodies. Pianist Pavel Kolesnikov brings his “fluid, fine-toned” (Gramophone) playing to Mozart’s melodic Piano Concerto No. 17.

“Music is life, and like it, it is inextinguishable.” With this declaration written at the top of his score, Carl Nielsen’s Symphony No. 4 pits the everlasting spirit of life against the horror of World War I with dramatic music leading to, what else, but a battle between two timpani! Making his CSO debut, conductor Ryan Bancroft opens this program with Samuel Coleridge-Taylor’s Ballade for Orchestra, and Tchaikovsky’s Piano Concerto No. 1, displaying the virtuosity of guest pianist Inon Barnatan, heralded by The New York Times as “one of the most admired pianists of his generation.”

Conductor John Morris Russell and the Pops present Peter Boyer’s poignant Ellis Island: The Dream of America, celebrating the historic American immigrant experience and the American dream. Innovative in its format, bringing elements of theater and multimedia, including historical images from the Ellis Island archives, performers share real stories of those arriving to America and the circumstances surrounding their journey.

The program opens by showcasing the vibrancy of Cincinnati’s international communities, with the Donauschwaben Schuhplattlers, Greater Cincinnati Indian Community Choir, Cincinnati Baila! Dance Academy, and more, presenting cultural traditions from around the world.

Schoenberg's music, before he became known as a father of 20th-century 12-tone composition, developed from the harmonic bedrock of Romantics like Brahms, Mahler and Richard Strauss. His "Transfigured Night" was further heightened when Schoenberg met the love of his life and found inspiration in poetry of hope and acceptance. Led by Louis Langrée, the CSO performs this, along with Brahms' Violin Concerto, which features the return of Grammy-winning violinist Augustin Hadelich, and a co-commission from former CSO Composer-in-Residence Jonathan Bailey Holland.

Dvořák’s Symphony No. 8 is filled with optimistic and lyrical music, leading to a finale of fanfares and dances. Conductor Katharina Wincor, who led the May Festival's 2022 production of Candide, returns to Music Hall and welcomes cellist Sheku Kanneh-Mason for Shostakovich's raw and rhythmic first Cello Concerto.

If Beethoven’s Fifth Symphony is known as a musical embodiment of fate, his Seventh carries the spirit of freedom and liberation, with catchy, dance-like melodies woven throughout. Bryce Dessner, founder of Cincinnati’s MusicNOW Festival and a member of the Grammy-winning band The National, shares two of his works for orchestra.

In his final program as Music Director, Louis Langrée and the CSO share the stage one more time for a performance that will pay tribute to highlights of their time together over the past 11 years. Grammy Award-winning soprano Latonia Moore will join the CSO for the world premiere of a new orchestral song cycle by Pulitzer Prize-winning composer Anthony Davis, whose piece You Have the Right to Remain Silent profoundly impacted Louis and left a poignant impression on livestream viewers at the height of the Covid-19 pandemic.

The program also includes Ravel’s mythical and airy Daphnis et Chloé Suite No. 2, a work that Louis and the Orchestra performed on tour in Hong Kong, Beijing and Shanghai in 2017; Beethoven’s Leonore Overture No. 2, which was last performed in 2015 as part of that season’s One City, One Symphony initiative; and Dukas’ The Sorcerer’s Apprentice, which was a part of an all-French program that opened the Orchestra’s 2018-19 season at the newly renovated Music Hall.

Expect moving music and memories, celebrating the final performances of the CSO’s beloved Music Director.