Saturday Evenings B

James Gaffigan, conductor

Fantasy kingdoms, scandalous love affairs, dwarfs, giants, and powerful music. Game of Thrones? Tolkien? Actually, before those came the Ring cycle, Wagner’s master achievement in his quest to create an all-encompassing theatrical experience. Conductor James Gaffigan returns to lead the CSO in a concert compilation of Wagner’s four epic operas, on a program that opens with two musical gems: Bacewicz’s delightfully bracing Overture and Mozart’s well-known Eine kleine Nachtmusik.

Louis Langrée, conductor
Jodie DeVos, Ophélie

Stéphane Degout, Hamlet

Béatrice Uria Monzon, Gertrude
Laurent Alvaro, Claudius
Cyril Teste, stage director
Céline Gaudier, stage assistant
Julien Boizard, lights
Mehdi Toutain-Lopez, Vidéo

May Festival Chorus

"To be or not to be….” French composer Ambroise Thomas’ grand opera is a musical setting of Shakespeare’s tragic story of the melancholic Prince Hamlet, his murderous uncle, ghostly father,and lover driven to madness. Louis Langrée leads the CSO and May Festival Chorus in this new touring production created in collaboration with Paris’ famed Ópera Comique.

Sir Donald Runnicles, conductor

Daniil Trifonov, piano

Sir Donald Runnicles, celebrated for his interpretations of Romantic symphonic repertoire, leads an all-Brahms program, joining forces with powerhouse pianist Daniil Trifonov, following his stunning solo Music Hall performance in 2022. Together, they explore Brahms’ more brooding and emotional side in his Piano Concerto No. 1. Runnicles then conducts the CSO in Brahms’ Symphony No. 2, from its iconic “lullaby” to its cheerfully triumphant and brass-filled finale.

Louis Langrée, conductor
Joélle Harvey, soprano 
Will Liverman, baritone
May Festival Chorus

With prayerful music for both the living and the dead, the source of comfort in Brahms’ German Requiem is as much human as it is the divine. Louis Langrée leads the CSO along with the May Festival Chorus in Brahms’ large-scale masterpiece. Though Brahms was often discreet in nature, this is a deeply personal work. Spurred by the loss of his mother, and influenced by lingering emotions of self-doubt, he turned to his true religion – music – as a way to console not only himself, but others as well.

Matthias Pintscher, conductor

Conrad Tao, piano

As the winter winds quell and the flowers of spring begin to blossom, CSO Creative Partner Matthias Pintscher conducts the Orchestra in works capturing the feeling of life beginning anew. Copland’s Appalachian Spring shines with the “Simple Gifts” of the season. After wowing CSO audiences in 2021 and 2022, pianist Conrad Tao returns for the world premiere of a CSO commissioned work from composer inti figgis-vizueta, whose music “feels sprouted between structures” (The Washington Post). Then, Schumann's Symphony No. 1 triumphantly ushers in the spring season.

Katharina Wincor, conductor
Sheku Kanneh-Mason, cello

Dvořák’s Symphony No. 8 is filled with optimistic and lyrical music, leading to a finale of fanfares and dances. Conductor Katharina Wincor, who led the May Festival's 2022 production of Candide, returns to Music Hall and welcomes cellist Sheku Kanneh-Mason for Shostakovich's raw and rhythmic first Cello Concerto.

Louis Langrée, conductor
Latonia Moore, soprano

Janni Younge, director

This is a Firebird unlike any you’ve experienced before. Louis Langrée, in his final program as Music Director, leads the CSO in the premiere of a new song cycle by Anthony Davis, whose 2007 You Have the Right to Remain Silent made a poignant impression on CSO Livestream audiences in 2020. Then, Langrée concludes his tenure in collaboration with South African director Janni Younge of Janni Younge Productions, which is critically acclaimed for imaginative designs including their Tony Award-winning puppetry in War Horse. The result is a visually stunning performance of Stravinsky’s complete ballet score with music of enchantment, infernal dance, and a finale featuring the Firebird making a glorious appearance inside Music Hall.