Louis Langrée, Music Director, Louise Dieterle Nippert & Louis Nippert Chair
Louis Langrée has been Music Director of the Cincinnati Symphony Orchestra since 2013, Music Director of the Mostly Mozart Festival at Lincoln Center since 2003 and recently appointed Director of Théâtre national de l'Opéra Comique in Paris. Known for imaginative programming, Langrée began his Cincinnati tenure with Jennifer Higdon’s On a Wire with Eighth Blackbird; Copland’s A Lincoln Portrait, narrated by Maya Angelou; and Beethoven’s Fifth Symphony. Two of his Cincinnati recordings were Grammy-nominated for Best Orchestral Performance: Transatlantic, with works by Varèse, Gershwin, and Stravinsky; and Concertos for Orchestra, featuring world premieres by Sebastian Currier, Thierry Escaich, and Zhou Tian. His Pelléas et Mélisande trilogy contrasted settings by Fauré, Debussy, and Schoenberg. A multi-season Beethoven [R]evolution cycle has paired the symphonies with world premieres and 20th-century masterworks, as well as recreation of the legendary 1808 Akademie. During the COVID pandemic, Langrée was a catalyst for the Orchestra’s return to the stage in the fall of 2020 with a series of digitally streamed concerts, and then in January 2021 welcoming in-person audiences to Music Hall.
Between the start of his tenure and the conclusion of the CSO’s upcoming 2022-23 season, Langrée and the CSO will have commissioned or co-commissioned 42 new orchestral works and he will have conducted 32 premieres from a wide range of composers, including Julia Adolphe, Daníel Bjarnason, Jennifer Higdon, Jonathan Bailey Holland, Kinds of Kings, David Lang, Missy Mazzoli, Nico Muhly, André Previn, Caroline Shaw, Julia Wolfe, and the world premiere of Christopher Rouse’s Symphony No. 6, his final opus. Langrée and the Orchestra also commissioned 20 composers to write solo instrument fanfares for CSO musicians during the COVID pandemic, including Michael Abels, Marcos Balter, Peter Boyer, Courtney Bryan, Bryce Dessner, Ted Hearne, Tyshawn Sorey, Georgia Stitt and Du Yun, whose new works were premiered on the Orchestra’s website.
To date, Langrée has appointed 17 of the Orchestra’s musicians, including hiring Stefani Matsuo as the Orchestra’s first female Concertmaster. Other appointments include Associate Principal Percussion, Associate Principal Second Violin, First Assistant Concertmaster, Assistant Principal Horn, Principal Tuba, Principal Clarinet, Second/Assistant Principal Trombone, Principal Bassoon, Second Flute, Second Oboe, three section violists, two section violins, and a section cellist. In the coming season, there will be auditions for Associate Principal Timpani and section percussion, Associate Concertmaster, Associate Principal Flute, Piccolo, and Section Bass. Langrée has also worked closely with the CSO/CCM Diversity Fellows, mentoring them individually and welcoming them to perform within the Orchestra.
A regular presence at Lincoln Center since his 1998 debut, Langrée has conducted more than 200 performances and concerts at the Mostly Mozart Festival, Metropolitan Opera, New York Philharmonic, and on the Great Performers series, and has taught masterclasses at the Juilliard School. Langrée has raised the artistic profile and repertoire of the Mostly Mozart Festival Orchestra well beyond the classical period, from Lully to contemporary music. Highlights include Bernstein’s MASS, the world premiere of Magnus Lindberg’s first violin concerto with Lisa Batiashvili, and New York premieres of Osvaldo Golijov’s Azul with Alisa Weilerstein and David Lang’s man made with Sō Percussion.
He has guest conducted the Berlin Philharmonic, Vienna Philharmonic, London Philharmonic, LA Philharmonic, Philadelphia Orchestra, Budapest Festival Orchestra, Czech Philharmonic, NHK Symphony, Orchestre National de France, Orchestre de Paris, and Leipzig Gewandhaus, as well as Orchestre des Champs-Elysées, Freiburg Baroque and the Orchestra of the Age of Enlightenment. In addition to the Met, he frequently conducts at the leading opera houses, including the Vienna Staatsoper, Teatro alla Scala, Royal Opera House Covent Garden, Lyric Opera of Chicago, and Bavarian Staatsoper, and at festivals including Glyndebourne, Aix-en-Provence, BBC Proms, Edinburgh International, and the Hong Kong Arts Festival.
Langrée was previously music director of the Orchestre de Picardie, Opéra National de Lyon, Glyndebourne Touring Opera, Orchestre Philharmonique Royal de Liège, and chief conductor of the Camerata Salzburg. A native of Alsace, France, he is a Officier de la Légion d’Honneur and Chevalier des Arts et des Lettres, and he is an Honorary Member of the Confrérie Saint-Étienne d’Alsace, an Alsatian wine-makers’ brotherhood dating back to the 14th century.
John Morris Russell, Pops Conductor, Louise Dieterle Nippert & Louis Nippert Chair
A master of American musical style, Grammy-nominated conductor John Morris Russell, A.K.A. "JMR," has devoted himself to redefining the American orchestral experience. In his eleventh year as conductor of the Cincinnati Pops Orchestra, the wide-range and diversity of his work as a conductor, collaborator and educator continues to reinvigorate the musical scene throughout Cincinnati and across the continent. As Music Director of the Hilton Head Symphony Orchestra in South Carolina, Russell leads the prestigious Hilton Head International Piano Competition, and he also serves as Principal Pops Conductor of the Buffalo Philharmonic Orchestra, following in the footsteps of Marvin Hamlisch and Doc Severinsen. As a guest conductor, he has worked with many of the most distinguished orchestras in North America, including the Los Angeles Philharmonic, Cleveland Orchestra, New York Philharmonic, Boston Pops, National Symphony, and the orchestras of Toronto, Vancouver, Dallas, Detroit, and Pittsburgh.
With the Cincinnati Pops, Russell leads sold-out performances at Music Hall, concerts throughout the region, as well as domestic and international tours—including Florida in 2014 and China/Taiwan in 2017. His visionary leadership at the Pops created the “American Originals Project,” which has garnered both critical and popular acclaim in two landmark recordings: American Originals (the music of Stephen Foster) as well as American Originals: 1918. In 2020, the American Originals Project continued with King Records and the Cincinnati Sound with Late Night with David Letterman musical director, Paul Shaffer, celebrating the beginnings of bluegrass, country, rockabilly, soul and funk immortalized in recordings produced in the Queen City. Russell’s other recordings with The Pops include Home for the Holidays, Superheroes, Carnival of the Animals, and Voyage. Russell’s recent collaborations with artists around the world include Aretha Franklin, Emanuel Ax, Amy Grant and Vince Gill, Common, Garrick Ohlsson, Brian Stokes Mitchell, Jon Kimura Parker, Ann Hampton Callaway, Michael McDonald, Cho-Liang Lin, Sutton Foster, George Takei, Megan Hilty, Ranky Tanky, Steve Martin, Katharine McPhee, Brian Wilson, Cynthia Erivo, and Leslie Odom, Jr.
Damon Gupton, Pops Principal Guest Conductor
Damon Gupton is the Principal Guest Conductor of the Cincinnati Pops. A native of Detroit, Michigan, he served as American Conducting Fellow of the Houston Symphony and held the post of assistant conductor of the Kansas City Symphony. His conducting appearances include the Orchestra of St. Luke’s, Detroit Symphony, San Francisco Symphony, Atlanta Symphony, Baltimore Symphony, National Symphony Orchestra, Toledo Symphony, Fort Worth Symphony, Florida Orchestra, San Diego Symphony, Long Beach Symphony, San Antonio Symphony, Princeton Symphony, Orchestre Philharmonique de Monte Carlo, NHK Orchestra of Tokyo, Orquesta Filarmonica de UNAM, Charlottesville Symphony, Brass Band of Battle Creek, New York University Steinhardt Orchestra, Kinhaven Music School Orchestra, Vermont Music Festival Orchestra, Michigan Youth Arts Festival Honors Orchestra and Sphinx Symphony as part of the 12th annual Sphinx Competition. He led the Sphinx Chamber Orchestra on two national tours with performances at Carnegie Hall, and has served as conductor of the Van Cliburn International Amateur Piano Competition. Musical collaborations include work with Marcus Miller, Brian Stokes Mitchell, Common, Leslie Odom Jr., Byron Stripling, Tony DeSare, Capathia Jenkins, The Midtown Men, Kenn Hicks, and Jamie Cullum.
He has been featured as narrator in many venues including the Cincinnati Pops, Colorado Symphony, Cleveland Orchestra, Grand Teton Music Festival, Grant Park Music Festival, Houston Symphony, Memphis Symphony, and on the the Videmus recording Fare Ye Well. He also narrated a concert version of Beethoven’s Fidelio with David Robertson and the St. Louis Symphony Orchestra.
Gupton received his Bachelor of Music Education degree from the University of Michigan, where he delivered the commencement address to the School of Music, Theatre & Dance in 2015. He studied conducting with David Zinman and Murry Sidlin at the Aspen Music Festival and with Leonard Slatkin at the National Conducting Institute in Washington, D.C. Awards include the Robert J. Harth Conducting Prize and The Aspen Conducting Prize. He is the inaugural recipient of the Emerging Artist Award from the University of Michigan School of Music and Alumni Society, and is a winner of the Third International Eduardo Mata Conducting Competition.
An accomplished actor, Gupton is a graduate of the Juilliard School Drama Division. He has had roles in television, film, and on stage, most recently starring with Samuel L. Jackson in the upcoming Apple TV limited series The Last Days of Ptolemy Grey. Other series regular roles include Black Lightning, Criminal Minds, The Player, The Divide, Prime Suspect, and Deadline as well as guest or recurring appearances on The Comey Rule, Dirty John, Goliath, Bates Motel, The Newsroom, Suits, Empire, Rake starring Greg Kinnear, Law & Order, Law & Order Criminal Intent, Conviction, The Unusuals, Third Watch, Hack, and Drift. He appeared in Damien Chazelle's Academy Award-winning films Whiplash and LaLa Land, as well as This is Forty, The Last Airbender, Helen at Risk, Before The Devil Knows You’re Dead, Unfaithful, and The Loretta Claiborne Story.
Stage roles include the Broadway production of Bruce Norris’ Pulitzer Prize and Tony Award winning Clybourne Park, the Ovation and LA Drama Critic’s Circle award winning Ma Rainey's Black Bottom directed by Phylicia Rashad (Mark Taper Forum), Superior Donuts (The Geffen), Christina Anderson’s Inked Baby (Playwrights Horizons), Othello (Heart of America Shakespeare Festival), The Story (Public Theater), Meg’s New Friend (The Production Company), Wendy Wasserstein’s An American Daughter (Arena Stage), True History and Real Adventures (The Vineyard Theatre), and Treason (Perry Street Theatre), as well as the title role of Academy Award-winner Eric Simonson’s Carter’s Way at Kansas City Repertory Theater. He received an AUDELCO nomination for Best Supporting Actor for his work in Clybourne Park.
Matthias Pintscher, CSO Creative Partner
Matthias Pintscher is the Music Director of the Ensemble intercontemporain, the world’s leading contemporary music ensemble founded by Pierre Boulez. In addition to a robust concert season in Paris, he tours extensively with the orchestra throughout Europe, Asia, and the United States. In 2020/21, Pintscher also began a three-season appointment as the Cincinnati Symphony Orchestra’s new Creative Partner. This season Pintscher together with the Cincinnati Symphony Orchestra collaborate in three concerts in observance of Jewish Cincinnati Bicentennial. Known equally as one of today’s foremost composers, Pintscher’s works are frequently commissioned and performed by major international orchestras.
Matthias Pintscher opens his 21/22 season as the “Theme Composer” of Suntory Hall’s 2021 festival, including the world premiere of his work neharot which he will conduct with the Tokyo Symphony Orchestra (co-commissioned with the Los Angeles Philharmonic, Staatskapelle Dresden, Orchestre Philharmonique de Radio France, and the Orchestre de la Suisse Romande), an intensive week of performances with the Ensemble Intercontemporain, as well as chamber concerts. In addition, he and Ensemble Intercontemporain will give concerts in Yokohama and Moscow. In January 2022, his violin concerto written for Leila Josefowicz, Assonanza (for violin and chamber orchestra), will be premiered by the Cincinnati Symphony under Pintscher’s baton. Pintscher will make debuts in 21/22 with the Pittsburgh Symphony, Staatskapelle Dresden, Lahti Symphony, and Musikkollegium Winterthur. He returns to the Houston Symphony, Indianapolis Symphony, Orchestre de la Suisse Romance, Barcelona Symphony, Orchestre Philharmonique de Radio France, Netherlands Radio Philharmonic Orchestra at the Holland Festival, Academy of the Berlin Philharmonic, and the Boulez Ensemble. In recent seasons, Pintscher has begun to conduct staged operas, and in 21/22 will return to the Staatsoper Unter den Linden in Berlin to lead Lohengrin, for which he gave the production’s premiere the prior season.
Recent highlights include his debut at the Vienna State Opera conducting the world premiere of Olga Neuwirth’s opera Orlando, debuts with the Montreal and Baltimore symphony orchestras, and conducting the premiere of his new work for baritone, chorus, and orchestra, performed by Georg Nigl and the Symphonieorchester des Bayerischen Rundfunks at the Musica Viva festival in February 2020.
Pintscher has held many titled positions, most recently as the BBC Scottish Symphony Orchestra’s Artist-in-Association for nine seasons. In 2018/19, he served as the Season Creative Chair for the Tonhalle-Orchester Zürich, as well as Artist-in-Residence at the Los Angeles Chamber Orchestra. An enthusiastic supporter of and mentor to students and young musicians, Pintscher was Principal Conductor of the Lucerne Festival Academy Orchestra from 2016-2018 and has worked with the Karajan Academy of the Berlin Philharmonic.
Matthias Pintscher began his musical training in conducting, studying with Pierre Boulez and Peter Eötvös in his early twenties, during which time composing soon took a more prominent role in his life. He rapidly gained critical acclaim in both areas of activity and continues to compose in addition to his conducting career. A prolific composer, Pintscher's music is championed by some of today's finest performing artists, orchestras, and conductors. His works have been performed by such orchestras as the Boston Symphony, Chicago Symphony, Cleveland Orchestra, New York Philharmonic, Philadelphia Orchestra, Berlin Philharmonic, London Symphony Orchestra, Royal Concertgebouw Orchestra, and the Orchestre de Paris, among many others. He is published exclusively by Bärenreiter, and recordings of his works can be found on Kairos, EMI, Teldec, Wergo, and Winter & Winter. Matthias Pintscher has been on the composition faculty of the Juilliard School since 2014.
François López-Ferrer, Associate Conductor, Ashley and Barbara Ford Chair
Spanish-American conductor François López-Ferrer came to international attention after a critically acclaimed debut at the 2018 Verbier Festival, where he jumped in for Iván Fischer in a shared program with Sir Simon Rattle and Gébor Takécs-Nagy.
In demand as a guest conductor, López-Ferrer’s recent and upcoming highlights include debuts with the Los Angeles Philharmonic, Hong Kong Philharmonic, Orquesta Nacional de España, Cincinnati Symphony Orchestra, Orquesta Sinfónica de Galicia, Verbier Festival Orchestra, Berner Symphonieorchester, Orquesta Sinfónica Radio Televisión Española (RTVE), Orquesta Sinfónica de Castilla y León, Orquesta de Valencia, Orquesta Sinfónica de Navarra, Orchestra di Padova e del Veneto, Musikkollegium Winterthur, Orquesta Sinfónica Nacional de Chile, Orquesta de Extremadura, Joven Orquesta Nacional de España, Orquesta Joven de la Sinfónica de Galicia, Orquestra Sinfônica do Paraná, and the Orquestra Sinfônica de Porto Alegre.
For 2021-22 López-Ferrer is a Dudamel Fellow with the Los Angeles Philharmonic. As Associate Conductor of the Cincinnati Symphony Orchestra (CSO) and May Festival, he conducts the CSO’s Young People’s Concerts and provides artistic support to CSO’s Music Director Louis Langrée and May Festival’s Principal Conductor Juanjo Mena. López-Ferrer is one of six participants to be featured in the 2022 Bruno Walter National Conductor Preview with the Louisiana Philharmonic Orchestra. He previously served as associate conductor of the Orquesta Sinfónica Nacional de Chile (OSNCH), Principal Conductor of the Ballet Nacional Chileno, and was the youngest ever Conductor-in-Residence of the OSNCH's Summer Concert Series.
López-Ferrer was winner of the inaugural 2015 Neeme Järvi Prize awarded at the Menuhin-Gstaad Festival and received third prize at the 2018 OFUNAM International Conducting Competition. He was previously a member of the prestigious Deutsche Dirigentenforum.
López-Ferrer holds a master’s degree in Orchestral Conducting from the Haute École de Musique de Lausanne, under the tutelage of professor Aurélien Azan Zielinski, and a Bachelor of Music degree in Composition from the University of Cincinnati College-Conservatory of Music where his teachers included Joel Hoffman, Miguel Roig-Francoli, and Michael Fiday.
Wilbur Lin, Assistant Conductor, Ashley and Barbara Ford Chair
Wilbur Lin will begin his tenure with the Cincinnati Pops Orchestra as Assistant Conductor. He will also serve as Conductor for the Cincinnati Symphony Youth Orchestra (CSYO) Philharmonic, an ensemble of the region’s top high school age musicians. In this role, Lin will be both conductor and artistic leader of the CSYO Philharmonic.
Lin began his musical education at the age of five. In 2008, the Taiwanese-American conductor founded a student orchestra, the Chamber Philharmonic Taipei, which is now a professional chamber orchestra with an active annual summer season funded by both the Arts Council of Taipei and the Taiwanese Ministry of Culture.
Lin briefly worked as assistant conductor at Royal Liverpool Philharmonic and Taiwan Symphony orchestras. He regularly works with Chamber Philharmonic Taipei and has conducted the Manchester Camerata, MAV Symphony Orchestra (Budapest), Taipei Philharmonic, Taiwan Symphony, Orquestra de Cadaqués (Spain), Missouri Symphony, and Windsor Symphony (Canada) orchestras. As a pianist, Lin coached and performed with the Indianapolis Opera, IU Opera Theater, and Reimagining Opera for Kids, in addition to his freelance work as a vocal coach and collaborator.
A recent graduate of Riccardo Muti's Italian Opera Academy, Lin's recent highlights include conducting Verdi’s Macbeth at Teatro Alighieri (Ravenna, Italy), Die Zauberflöte with the Winter Harbor Festival & Opera (Winter Harbor, Maine), and an appearance with Canada's Windsor Symphony Orchestra, guest conducting El Salvador's National Youth Orchestra, and the conclusion of Chamber Philharmonic Taipei's seventh concert in its Bach Cantata Series.
Lin held the position of Lord Rhodes Scholar from 2013 to 2014, was a two-time recipient of Mortimer Furber Prize for Conducting at the Royal Northern College of Music (RNCM), and is a doctoral candidate (ABD) at the Indiana University Jacobs School of Music.
Lin has studied with Arthur Fagen and David Effron at IU, Clark Rundell and Mark Heron at RNCM, and Apo Hsu at National Taiwan Normal University. He has also received conducting coaching with Riccardo Muti, Sir Mark Elder, Vasily Petrenko, Juanjo Mena, Jac van Steen, Mark Stringer, Paul McCreesh, and Helmuth Rilling.